HB Number 33016

Item Number: 2854 -

Group with Items:

Map sheet: NS56NE

Category: A

Group Category:

Date of Listing 21-JUL-1988

 

Description:
Circa 1870, interior remodelled 1885-87 and 1901. 4-storey, 7-bay approximately square-plan Classical commercial building with public house at ground floor. Polished buff ashlar. Bands of incised decoration between each floor. Regular fenestration; windows deeply recessed between pilasters with wide pilasters to outer bays and narrower ones to central bays.

FURTHER DESCRIPTION: decorative friezes, cornice and parapet. Regular fenestration divided by pilaster piers, those to top floor with Corithian capitals. Public house with deep cornice above fascia; entrances at 2nd and 6th bays with 2-leaf timber-panelled doors. Art Nouveau-style cast-iron grills above ground floor openings (access to upper floors) at outer bays.

Plate glass in timber sash and case windows; plate glass to pub windows.

INTERIOR: rich Edwardian decorative scheme. Lobbies with decorative timber and etched glass inner 2-leaf doors with elaborate brass door furniture. Compartmented ceiling with deeply moulded cornice. Timber boarded panelling to dado height with carved decorative frieze and inset panels. Rear wall with mirrors to cornice and clock mounted on timber frame; timber chimneypieces with carved detail, horseshoe-shaped openings and pedimented overmantle mirrors. Slate chimneypieces to side walls with horseshoe-shaped openings and horseshoe-shaped overmantles. Elongated timber-boarded horseshoe island bar (with further lobes added at rear); superstructure on slender turned columns; etched glass partitions; terrazzo spittoon. Island gantry with spirit casks, turned columns and deep cornice; cast-iron columns to ceiling with horseshoe detail to capital.


 

References:
2nd Edition Ordnance Survey map (1899). 3rd Edition Ordnance Survey map (1922). Rudolph Kenna and Anthony Mooney, People's Palaces: Victorian and Edwardian Pubs of Scotland (1983) pp103-104. Gavin Stamp and Sam McKinistry (eds), 'Greek' Thomson (1994), pp120, 128-30. Michael Slaughter (Ed.), Scotland's True Heritage Pubs: Pub Interiors of Special Historic Interest (2007), pp60-61.

 

Notes:
17-19 Drury Street is a fine Classical building with elements that indicate the influence of Alexander 'Greek' Thomson such as the deeply recessed windows sitting behind the main surface of the building and the incised Classical details. Though much simpler and with a more vertical emphasis than many of Thomson's designs there are distinct similarities between this building and Thomson's Dunlop Street warehouse of 1864-68. The building makes an important contribution to the streetscape of Drury Street and the adjacent Renfield Street and Mitchell Street.

The Horseshoe has an outstanding pub interior. It is highly elaborate with many fine details and has undergone little alteration since the early 20th century. At that time the pub gained its present appearance internally when the partitions between sitting rooms at the sides and the main bar area were removed. The counter was extended and gained the extra `lobes' at the rear. One of the interesting features is the way in which the horseshoe theme has informed the design of so many of the fittings - the fireplaces, the columns above the gantry etc.

No architect has yet been identified for the Horseshoe. It has been suggested that the publican of the Horseshoe, John Scouller, who had purchased it in 1884, may have been responsible for the design, or at least for the idea of the Horseshoe theme as he was a keen equestrian himself. Two other pubs owned by Scouller, the Snaffle Bar in Howard Street and the Spur in Polmadie Street, had similar horse themes. It is possible that Scouller employed the architect Thomas Baird (1862-1953) to assist with the designs, as Baird designed Scouller's villa in Dalziel Drive about this time.

The Horseshoe is also historically important in the development of the Edwardian public house. From the time it was renovated in the 1880s it was considered to be a trail-blazer. The island bar layout became de rigeur in Glasgow for higher class pubs from the 1890s, enabling quick service and better supervision of customers. Many publicans from as far afield as Inverness and Aberdeen, visited it, took measurements and borrowed ideas from the design which they used to enhance their own pubs. By the early 1900s the pub had become something of a Glasgow institution and was as popular with prosperous merchants as with humble clerks. Category changed from B to A in 2008 as part of the Thematic Review of Heritage Pubs.